Ram (Ram) first sees Sravanthi (Tamannah), perched atop a bridge, staring into the river beneath, in some breathtakingly picturesque location in France. Ram immediately pulls over and rushes to stop her from jumping into the river, or so he thinks. But even before they manage to strike up a conversation, his car falls into the river and he gets whisked away by a gang of henchmen, working for his father's friend. Why/ Well that's a long story. Ram is a spoilt 22 year-old son of a rich father, who can't stop courting trouble. His father tricks him and has him deported to work in his friend's vineyard so that he learns to get his act together. Only, Ram finds Sravanthi instead. The two manage escape to Hyderabad where Ram finds Srvanthi lying in the intensive care unit of a government hospital. That's when the love story gets into the metaphysical-romantic-fantasy-comedy plane. Well, the why and how of it will stretch your imagination for sure. It turns out Ram has fallen for Sravanthi's spirit... and she's not even dead, she's only in coma. So much for the plot! What works for the film though, is the comedy. But that's not such a good sign for a romantic film, is it? Ram's characterization seems to be an extension of Seenu, from Kandireega. Ram carries off the role pretty well and manages infuse a lot of trademark energy into the performance. But then the plot is so convoluted that no amount of acting would be enough to salvage it. Tamannah also matches up to Ram as far as performance goes. It's just that the sparks don't really fly when the two are on-screen together. The biggest stumbling blocks are the no-existent-romance and the below par music. The filmmaker tried to pack in a little too much into the narrative, which unfolds in a thrill-a-minute-fashion. That proves to be its undoing and ends up looking a little too tacky, the breathtaking visuals not withstanding. Overall, a very underwhelming experience that only comes off in bits and pieces. 

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