What Is Good
What Is Bad
- Screenplay grags
- Not everyone's cup of Tea
After the mediocre results of his last few releases like Kaabil, Hrithik Roshan is back on screen teaming with Queen maker Vikas Bahl, to portray real life hero mathematician Anand Kumar in Super 30. Here's team AP Herald's exclusive first on net Super 30 review.
Super 30 revolves around the story of a single man Anand Kumar (Hrithik Roshan) a mathematician who designs a coaching class named Super 30 in Patna for 30 underprivileged children who aspire to get into premiere institutions like IIT. Was Anand Kumar able to get all of them into their desired institutions is what Super 30 is all about.
Hrithik Roshan is extraordinary as Anand Kumar and with his typical accent, tanned looks and a new body language, brings Anand Kumar to life in the movie, and oozes energy throughout the screenplay. Mrunal Thakur despite her minimal screen space is good while Nandish Singh as Anand's brother is perfectly cast. Pankaj Tripathi is apt as the politician while Aditya Srivastava as the negative angle of the screenplay is adequate.
Ajay-Atul's background score is impressive and of their songs, Jugrafiya, Paisa and Basanti are hum worthy. Anay Goswami's cinematography is top notch and editing by Sreekar Prasad is taut. The movie is technically strong in all departments and the writing has been topnotch even though it gets some hiccup in the latter half. The cinematography deserves a special mention.
Vikas Bahl has this time chosen to go with a biopic, and has presented the story of celebrated mathematician Anand Kumar with Hrithik Roshan in terrific form. The first half of the movie moves at a leisurely pace establishing the characters and the second half moves briskly as Anand faces challenges and resolves them in style. Though there are drags, Hrithik's powerful perform and screen presence, a good technical team, good music and visuals make super 30 a worthy biopic.
Nayantara ready to move to Next Phase Lady superstar Nayanthara who was last seen delivering back to back blockbusters in the form of her latest releases, the Nelson Dilip Kumar directorial Kolamaavu Kokila and the Ajay Gnanamuthu Directorial Imaikkaa Nodigal both of which had her in contrasting roles as a middle-class girl turned drug peddler and a CBI officer, had won her critical acclaim besides also collecting more than 30 crores, re-establishing that she's the lady Superstar.
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